PERPETUA FELICIDÁ

Creation and interpretation INICIATIVA SEXUAL FEMENINA (ELISA KEISANEN, CRISTINA MORALES AND ÉLISE MOREAU)
Light design: MARC AUGUSTIN-VIGUIER
Costume: NOELA COVELO, VÍCTOR RUIZ COLOMER AND INICIATIVA SEXUAL FEMENINA
Technician: ANDREA FORLANZA
Photo: ESTEFANIA LOCHTENBERG

Music: NADIA BOULANGER (Prélude e Improvisation), YURI (Yo te amo, te amo- instrumental), AGUSTINA ICHES TUBIO,ÁRIEL LAGO Y FLAYAZ (White bore) and INICIATIVA SEXUAL FEMENINA (Santoral).

Co-production: ANTIC TEATRE AND FESTIVAL GREC 2021

With the support of: INSTITUT RAMON LLULL, CA2M (MÓSTOLES), LA CASA ENCENDIDA (MADRID), MACBA (BARCELONA), LA CALDERA (BARCELONA), PÔLE 164 (MARSELLA), REAL ACADEMIA DE ESPAÑA EN ROMA, TEATRO INDIA (ROMA) AND TEATRO QUARTICCIOLO (ROMA).

Thanks: TONI AMENGUAL, FERNANDO GANDASEGUI, MÓNICA GARCÍA, GUIDO LO ZURDO, ESTEFANIA LOCHTENBERG, LUDOVIC MAUREL, VÉRONIQUE MOREAU Y AGNÈS RODRIGUEZ Y LA RIBOT

How to die and kill, how to resurrect, how to breathe life and how to walk the path that leads from one to the other with joy. Perpetua Felicidá is a triptych of agonies, deaths and resurrections, three passions embodied by each of the performers with the help of her companions and the saints Perpetua and Felicity, strange martyrs of the s. III A.D. in Roman Carthage, respectively mistress and slave, black and white, nursing and pregnant. Moreau, Keisanen and Morales use dance (yes, they use it: they make it useful: they believe in its power to destroy privileges) as the lock that bursts the doors of their knowledge, dance as a looter of the physical and mental states that the Regime got so well guarded.

AN ANTIC TEATRE PROJECT
WITH SUPPORT FROM GREC 2021 FESTIVAL OF BARCELONA